New & Noteworthy:
A Round-Up
Just released: the book trailer for Elizabeth Brundage’s newest thriller, A Stranger Like You, due out next month. Watch it! Better yet, join Brundage for breakfast and hear her read from the book on Saturday, July 24 at 8:30 a.m. Details here.
“Am I crossing the line?” Thoughtful New York Times Op-Ed by Dani Shapiro on Larry Rivers and her own experiences defining the boundary between life and art, parental responsibility and artistic license. Hear Shapiro live on Sunday, July 25 at 11 a.m. in conversation with Susan Arbetter. Details here.
Keep pace with Susan Orlean on Free Range, her New Yorker blog, and count the days till July 25, when she’s in conversation with Susan Arbetter at WordFest (2 p.m.)! Details here.
Read the July issue of the Sandisfield Times! Edited by none other than Simon Winchester of bucolic Sandisfield, MA (pop. 824, or thereabouts). Hear him at WordFest on July 24 at 10:30 a.m. Details here.
Not new, but certainly noteworthy: If you missed Elinor Lipman’s Modern Love piece in the New York Times a few months ago, act now to correct the oversight! Read “Sweetest at the End.” And chat with Lipman over breakfast on July 25 at 8:30 a.m. Details here.
WordFest Books Are Here!
“I had written short stories that were thought worthy of preservation! Was it the same insignificant I that I had always known? Any one walking along the streets might go into any bookshop, and say: ‘Please give me Edith Wharton’s book’; and the clerk, without bursting into incredulous laughter, would produce it, and be paid for it, and the purchaser would walk home with it and read it, and talk of it, and pass it on to other people to read!”
—Edith Wharton, A Backward Glance
Books are magical—for the author (as Wharton recounts above) and, all the more, for the reader. Our 2010 festival speakers have collectively written hundreds of works “worthy of preservation,” and you can purchase some of them at WordFest!
Check out our NEW books section to browse all books available for sale at the festival. Click on book covers to read reviews/excerpts. Festival authors will be signing books after their events; see our booksigning schedule for details.
The Festival Bookstore will be up and running on Saturday, July 17. It’s located on the lower level of the house, just around the corner from our main bookstore, and is operated in partnership with The Bookstore in Lenox. You can pre-purchase books by visiting next week…or by calling us today with your order: (413) 551-5118.
Happy browsing, happy reading!
WordFest Welcomes Garrison Keillor!
Garrison Keillor to speak at The Mount’s Festival Fundraiser on Saturday, July 24!
Keillor will delight dinner guests with his signature storytelling, wry humor, and quirky insight about life in Minnesota and Massachusetts. What does Guy Noir know about Edith Wharton? Plenty! (Including some things we’re pretty sure he’s made up.) If you didn’t catch Keillor’s Edith Wharton skit at last Saturday’s Wobegone Woodshedding, a.k.a. A Prairie Home Companion broadcast live from Tanglewood, check out the script!
Get event details and call us today for tickets: (413) 551-5113.
Words on Wharton:
Her Father’s Library
In honor of Father’s Day
Edith Wharton found herself—and her calling—in her father’s library. Her parents may have been, as she says in her 1934 memoir, A Backward Glance, “far from intellectual, [people] who read little and studied not at all,” but her father possessed a “gentleman’s library” crammed with classics, where young Edith was given leave to roam and dream. (Novel reading, on the other hand, was verboten.) When Wharton conjures up her childhood in A Backward Glance, she does so with one eye, and the whole of her heart, fixed on that library:
“But the library calls me back, and I pause on its threshold, averting my eyes from the monstrous oak mantel supported on the heads of vizored knights, and looking past them at the rows of handsome bindings and familiar names. … [L]ong before the passing of years and a succession of deaths brought them back to me, I could at any moment visualize the books contained in those low oak bookcases.”
And a few pages later:
“Whenever I try to recall my childhood it is in my father’s library that it comes to light. I am squatting again on the thick Turkey rug, pulling open one after another the glass doors of the low bookcases, and dragging out book after book in a secret ecstasy of communion.”
Finding herself was the easy part. Recalling the volumes of Keats and Shelley given her one birthday at the express recommendation of “Mr. North at Scribner’s,” she says:
“Then the gates of the realms of gold swung wide, and from that day to this I don’t believe I was ever again, in my inmost self, wholly lonely or unhappy.”
Following her calling was harder:
“For my parents and their group, though they held literature in great esteem, stood in nervous dread of those who produced it.”
And again:
“In the eyes of our provincial society authorship was still regarded as something between a black art and a form of manual labour.”
Thus she concludes the section on her early youth with this lament:
“How could I ever have supposed I could be an author? I had never even seen one in the flesh!”
Fortunately for Wharton—and, even more, for all of us—she did suppose she could be an author, her parents’ genteel prejudices notwithstanding. On this Father’s Day, we thank and celebrate George Frederic Jones for his unwitting foresight in keeping the library that set his daughter free.
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Words on Wharton is an occasional series of musings and jottings inspired by (and generously spiced with) Wharton’s words.



